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@article{KOLTSOVA_2020, title={Maximilian Voloshin’s japanese print collection in the context of european orientalism}, volume={4}, url={https://www.e-methodology.eu/index.php/jecs/article/view/756}, DOI={10.15503/jecs20132.316.324}, abstractNote={<p><span style="left: 118.11px; top: 387.623px; font-size: 15px; font-family: serif; transform: scaleX(1.07942);">The paper is concerned with Maksimilian Voloshin’s Japanese woodblock print collec-</span><span style="left: 94.4852px; top: 405.623px; font-size: 15px; font-family: serif; transform: scaleX(1.062);">tion. It starts with a short historical sketch of Orientalism in Europe and Russia, illustrating </span><span style="left: 94.4852px; top: 423.623px; font-size: 15px; font-family: serif; transform: scaleX(1.11076);">various highlights and the evolution of the image of the East in the minds of Europeans, </span><span style="left: 94.4852px; top: 441.623px; font-size: 15px; font-family: serif; transform: scaleX(1.06862);">and designed so that the emergence of Voloshin’s interest in Japanese art and his activity of </span><span style="left: 94.4852px; top: 459.623px; font-size: 15px; font-family: serif; transform: scaleX(1.04879);">collecting </span><span style="left: 160.335px; top: 459.623px; font-size: 15px; font-family: serif; transform: scaleX(0.944374);">Ukiyo-e</span><span style="left: 206.775px; top: 459.623px; font-size: 15px; font-family: serif; transform: scaleX(1.0779);"> prints can be considered in the context of European Orientalism.</span></p>}, number={2}, journal={Journal of Education Culture and Society}, author={KOLTSOVA, DARYA}, year={2020}, month={sty.}, pages={316–324} }